As I continually seek to challenge students, it is sometimes the easiest statements and questions that can be the most challenging and produce the best results. With practicing at home (and even in lessons at time) playing music can becomes more about a run out the clock situation than a learning experience: "Did I put in my 20 minutes of practice yet?" And we, as educators, are mostly to blame. For so long we have made how much time a student practices the standard of excellence in our lessons because, in our minds, practice equals dedication and learning. Practice makes you get better. But, what if it doesn't?

I've been seeing more and more students lately that I am fairly confident are practicing, but there is almost nothing to show for it. Is it possible to practice for two hours in a week and get nothing done? Absolutely. And students seem really surprised by it. 

So, I've been making a real attempt this semester at more of a goal and performance based concept to practicing. My focus is on what the student got done over the week instead of how much time they spent with the instrument. To be honest, I don't care if the student spent 10 minutes or 10 hours in practice. As long as they are meeting (and possibly exceeding) the goals set before them, I'm thrilled!

So, what does this look like? There are lots of different methods out there that I've tried including the Level System, but I think it comes down to a few things:

1) Teachers need to be ABSOLUTELY clear about what is expected and how the students will know that they have achieved the goal

I spent years saying things like, "Practice page 2" or "Make sure that the chorus section sounds better next week". Those goals are not measurable. I've been making a concerted effort to give measurable goals: "Be able to play page 2 with a metronome at 80 bpm next week. You are ready to play it for me when you can play it three times in a row without error at home." There is no wiggle room there. When the student comes in the next week they are either ready to play it for me as assigned or they aren't. The expectation is clear. 

2) Active Practice vs. Passive Practice

I've begun talking to students about this recently as we prepare for our recital next month. Active Practice involves being actively involved in what you are doing. The student is not watching TV, daydreaming, watching the clock, or mindlessly playing. Passive Practice happens when students are not fully engaged in their practice. Their mind wanders or they are focussed on something else. Ever spend time reading a book only to stop and realize that you've gone through a few pages but have no idea what you've just read? That's passive. I think that most students are very passive about their practice times and don't really get much accomplished. Just knowing this and making an attempt to be actively engaged in your practice can make a big difference. 

3) Two Life Changing Questions: Am I a better musician (insert guitarist, drummer, pianist here) than when I picked up my instrument? In what specific way am I better?

The goal of practice is to be better at something. I am astounded at how little that students can accomplish even when putting in hours of practice. Most seem dumbfounded that they are supposed to accomplish anything at all. These two questions will change the way that you practice. 

There should be measurable goals that were accomplished during your practice session and you should be able to name them. If you cannot pinpoint any specific area that is better than when you started, then you have just wasted time! There is no point in practicing if you aren't actively getting better at something. Here are a few examples of measurable goals: memorized a section, played section with metronome, played section without error, improved a specific technique, maintenance of a  previously perfected section. This is definitely not an all inclusive list, but you should be able to point to a few specific things about your musicianship that is better than if you had chosen not to pick up your instrument that day. 


HOW YOU CAN HELP AS A PARENT:

1. Remove distractions from the Practice Zone. 

2. At any time during your child's practice, ask them to tell you specifically what they are working on and what goal they are trying to accomplish. 

3. At the end of their practice, ask them what they accomplished today and what they hope to accomplish before their next lesson. 

Simply being involved and asking questions can make all the difference. 
-shane
 
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Meet Israel Kamakawiwo'ole, or "IZ" as he was affectionately nicknamed...probably by westerners that can't pronounce that super cool Hawaiian last name. Even if you've never seen this guy, I can almost guarantee that you've heard his version of Somewhere Over the Rainbow/What a Wonderful World (featured below). Although recorded almost 20 years ago it has really come into prominence in the last few years as it gets featured in movies and TV shows. Though I admittedly know quite little about ukulele and ukulele history, I think we can credit this guy for taking it from a 'toy' instrument and bringing it back into the mainstream. Although he died at a young age in the late 90s (he weighed almost 800lbs!), his legacy still lives on. 

This year I will add a ukulele section to stickandstrum and private lessons. I have been asked a few times about teaching ukulele over the last few years and was recently approached to teach a sibling of one of my current guitar students. She's already got some musical experience under her belt (years of piano lessons) and it's summer, so I'm open to trying new things. 

I have been pleased at how simple the transition from guitar to uke can be and plan to offer it as an 'elective' to my current guitar students as a way to see how knowledge from one instrument can be transferred to another. While there is definitely a place for ukulele players in their own rite (check out Jake Shimabukuro), the initial focus will be on much simpler songs and chord changes (like IZ's video below). 

If you're interested in incorporating ukulele into your lessons, let me know! I may even offer full-blown ukulele lessons at some point, but definitely want to spend some more time studying the instrument and gauging interest first. On a related note, I may also add the mandolin as an 'elective' if there is any interest among my current students. 

Look for chord charts and some basic songs here in the future, but for now I can't recommend UkuleleHunt enough! This website is THE resource for ukulele. In closing, I leave you with IZ's Somewhere Over the Rainbow/What a Wonderful World...
 
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Kids love writing on the board. I don't know what it is about it, but when I ask a student to write on the board it's as if I just offered them a trip to Disney World. We can do the most boring exercises and it's a bazillion times more fun on the board. 

In the picture above, I wrote in the first four strings on the guitar in the staff (in black) and had my student write out the rest of the notes in green. (Different color markers are also really exciting for some reason!) He, like many of my beginner students, has been having a hard time identifying notes on the staff and the guitar. I find with young students (under age 10) that they often guess instead of taking a few seconds to think about what the note is. 

Before having him write on the board we played the yet unnamed Game 2 to let him work on notes on the fretboard. A new issue for me with younger students is having them excel at the games that we play, but struggling to make the application to guitar. I hope that after a few weeks of games that they will be able to transfer the knowledge over to actual playing situations. It's great to see the light go on when they play games and finally understand a concept, but I'm really looking forward to seeing them make the transition within the normal lessons and at home. 

So far I'm really enjoying incorporating games into lesson times. I'm using our short 6 week summer term as practice so that I can work out some of the kinks before jumping into our full semester in August. I'm in the process of buying a small rug (5'x7') to make into a giant guitar fretboard. Stay tuned. 
 
I'm starting to learn that with students sometimes the most simple things are the most affective. One of the key problems with late beginner guitarists and bassists is knowing the notes on the fretboard. There isn't any magical way to learn the notes. It just takes a little time and dedication. I'm sure I'll come up with some games that are more involved in the future, but for now this gets kids out of their seats and gets them thinking. 
Walk the Line
  1. Benefit: Learning notes on the fretboard, playing from a standing position
  2. Items Needed: Guitar or Bass, Guitar Strap
  3. Setup: Have student stand in the middle of the room. 
  4. Game Play: Student faces teacher. Teacher calls out a note and student plays it. If student is correct, she takes one step to the right. If student is wrong, she takes one step to the left. Play until she runs into one of the walls!


I used this game yesterday with a bass guitar student and we worked on one string at a time. We started with simple notes, then used sharps and flats. Next I would call out a sharp or flat and she would have to play it and then tell me the enharmonic name of the note (F#/Gb). Lastly, we worked on octaves. 

I have no delusions that she went home and told all of her friends that this was the best game that she had ever played in her life. She probably didn't call her brother or parents into her room so that they could all play as a family. But, after 10 minutes playing the game she's got a good grasp of the notes on two strings of her guitar, understands octaves, and seemed to enjoy it more than sitting in the chair and looking at a music stand. That's a win in my book. 
 
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Aren't music lessons supposed to be fun? One of the hardest parts of learning (or teaching!) an instrument is getting past the initial learning curve. Once students develop skills on an instrument, playing the instrument well becomes the reward. It's fun to learn new songs and challenge yourself. But, it's a hard road when you begin learning an instrument. 

Piano teachers are great. There are websites, blogs, books, and conferences all dedicated to how to be a better piano teacher, how to incorporate new ideas, how to make old things fun, and how to work games into the curriculum. While the drum education world has made a few strides in this direction I have yet to find any guitar educators that are doing anything like what was previously mentioned. 

In all my years of teaching, I have never incorporated games. I have always believed that learning to play an instrument well should be reward in itself. While I still think this is true for older students (teenagers and older), younger students can definitely benefit from some extra motivation. Beginner lessons for students under 10 can be pretty boring for the student and the teacher while working on a lot of the foundational material. With this in mind, I have started incorporating games into my guitar lessons, and will work them into piano lessons in the fall. 

There are endless resources for piano games and activities, so I won't go into detail here but my favorite websites thus far are: Susan Paradis' website, Discoveries Piano Studio, and probably my favorite so far, MusicMatters. Some have great resources and other times it's just really good to hear someone else sharing the same experiences that you are. 

Here are two guitar games that I have begun using with my students. I need help naming them!

Game 1
  1. Benefit: Learning treble clef note names, note types and symbols
  2. Items Needed: Flash Cards with notes on treble clef and note types/symbols    (quarter note, treble clef, etc)
  3. Setup: Mix up flash cards and spread them on a table on one side of the room. 
  4. Game Play: Stand on the other side of the room (opposite the flash card table) with your student. Call out a note name or note symbol. They have to run to the table find it and bring it to you. If they get it right, give them a new note/symbol to find. If they get it wrong, they have to go back and try again. When they get to the last card they have to tell you the name of the note/symbol. I time this game so that it's a race. Students compete against each other and their previous times. 


Game 2 (pictured above)
  1. Benefit: Learning notes on the fretboard
  2. Items Needed: Paper Plates, Paper, Marker, Tiled floor
  3. Setup: Write note names on paper plates.  Write fret numbers on small sheets of paper. Use tiled floor  (like a grid) as fretboard and place fret numbers accordingly. Scatter plates across the room. 
  4. Student has to grab the paper plates and put them in the correct location on the 'fretboard'. Time them so that they can compete against each other and themselves. 


So, what do you think? I have found that these games (though they seem simplistic) really help students to grasp the ideas, give us a few minutes out of our chairs (great exercise running around the room!), and have a fun new way to look at the instrument. I'll post more of these as I think of them and use them. 

Now I need YOUR help! What do I name these games? Fellow teachers, what are games that you use? I've seen that a lot of games work for all instruments, or can be adapted to fit. 

P.S. Stay tuned for an awesome iPad game that I have gotten the privilege to beta test. Coming soon!